NAC 2024

Andre Veloux | Visual Artist

             The Reef

 

Being somewhat limited in its spectral composition, the excerpt consisted of a swimmer proceeding towards a coral reef. Together with the real-time video artwork, the music of “The Reef” paints a picture of the gradual damaging that pollution causes to the coral reefs.

Maria Kallionpää | Composer

Anne Stagg | Visual Artist

 

         Toy Phantasy

Most intriguing for me were certain words in this poem (such as “misstrums”), which led me into writing a phantasmagoric piece with pre-recorded spoken and sung words borrowed from the poem and transformed freely, using computer software and my imagination.

'At times I’m a jumble of rumbles, 

At others I’m light like the moon.'

-John Updike

Vera Ivanova | Composer

Jody Zellen | Visual Artist

    

     Points Becoming

 

The piece explores how a “point” becomes “something else”.  The animation for "Points Becoming" is part of an ongoing series that features simple shapes and stick figures that when seen together form a larger dream-like narrative about the trials and tribulations of life.

 Mark Winges | Composer 

Aries Mond | Composer

 

 

Choose 

Converse 

Two minimal pieces - where naïve piano lines dialog with fragmented voices.

Dilate Ensemble

Cosmic Cliffs

                                                                             NAC x Emerging Composer 2023

Why we find it is critical to support new music/arts by emerging artists ?

NAC x Emerging Composers aspires to be a program that nurtures and supports emerging composers, giving them the opportunity to showcase their unique artistic voices and contribute to the cultural tapestry of our society. By bringing together the talents of these rising stars and merging them with the wonders of technology, piano music and sound art, we aim to create an unforgettable experience that captivates, inspires, and leaves a lasting impact on our audience.

Sarah Wald

 

 

                           

                                                 Rhapsody on "Rahel Lastimoza"

                                                         for piano and electronics

This piece is based on the Moroccan Sephardic ballad “Rahel Lastimoza.” The ballad tells the story of a governor’s wife, and it became popular at weddings and pilgrimages. It contains deeply rooted cultural messages about marriage and women’s fidelity in traditional Moroccan Sephardic communities. The piano part represents a young Sephardic bride who struggles between her connection to her community and her sense of rebelliousness.

Dylan Findley

 

 

                                                           

                                                               Cosmic Cliffs 

                                               for piano and interactive media

Cosmic Cliffs finds inspiration in and uses imagery from NASA’s James Webb Telescope (public domain footage). Through the software Max’s MSP and Jitter capabilities, both the audio and video interact with the performer during the performance, and the performer has opportunities to “play” with the media components with the help of gyrOSC (accessible as a smartphone app).

Cole Reyes

 

 

 

                                                         Hold Close and Let Go 

                                                       for piano and electronics

This piece was inspired by the poem “In Blackwater Woods” by Mary Oliver. We each process grief differently, with no singular, clear path to healing. We must navigate holding tight the memories we cherish while also letting go of their presence in the physical realm. 

Xuesi Xu

 

 

 

 

                                                                 Meteor Shuttle

Meteor Shuttle is a dynamic piano composition dedicated to Ryuichi Sakamoto that takes the listener on a high-energy journey through the bustling streets of New York City. Inspired by the composer's experience navigating the busy city, the piece incorporates elements of electronic dance music to create a unique and modern sound. The piece captures the essence of this experience, offering listeners a glimpse into the excitement and chaos of city living.

Donate to the NAC x Emerging Composer 2023 program by June 2nd 2023:

newartscollaboration.org/fundraiser

 

Fields of Repression

FIELDS OF REPRESSION, for prepared piano and found sound 

 

Released on September 2nd, 2022

graphic score by Gloria Damijian, performed by Ting Luo & Gloria Damijian

The piece will encourage the players to confront themselves with feelings of discomfort and transform them into a creative process. I mainly focussed on terms and questions almost everyone deals with from time to time – or even constantly – during the artistic practice: why * no * anxiety * how * fatigue * self-doubt * failure * pressure 

NAC x Aries Mond

Sound artist Aries Mond joins a collaboration with NAC.

Ting will perform and release five piano and electronics pieces by Aries Mond, in 2022 - 23 season. 

Watch the first two pieces epl & Guild, premiered at the Mosswood Sound Series: youtu.be/XqJ9iIUvt-c

 

NAC x Emerging Composer 2022

DANIEL DE TOGNI

Ritual and Evocation at the Stone Garden

''The title of this piece is meant to depict a scene of an ancient ritual from times long ago. What is meant to be gained or evoked from this ritual is uncertain. 

I am deeply fascinated by the concept of stone gardens, while they are seemingly fixed in place, movement and pattern can be noticed in their design, in a way creating a beautiful, aesthetic paradox.''

 

 

 

 

 

 

 

 

POETIC MOVE

Composer x Visual Artist

belinda reynolds, composer, living, oakland, composition

BELINDA REYNOLDS

 

                       WORDS

"Dynamics and tones of the audio collage, with a recording of the poem Words written by pianist Ting Luo,  to create the musical ‘DNA’ of the solo piano part."

 

        

video artist, visual art, http://www.videosavant.net/, exhibition, University of Cincinnati, Arts and Communication

CHARLES WOODMAN

Jean Ahn, UC Berkeley, Ensemble Ari, Pianist Lecturer

JEAN AHN

 

             FOOTSTEPS

" A piano suite with recording tape and digital imaginaries."

NO. 1  Snow 

NO. 2  Crossroad 

NO. 3  Sand 

NO.4   Asphalt 

NO. 5  Mars

 

Singapore artist, visual designer, Berlin, architecture, digital imaginary

JO HO

JULIE BARWICK

 

                 Around

"Mix and blur the sounds that have surrounded me: distant construction, simple household sounds, and even the nearby sounds of nature in an urban environment with virtuosic piano technique. " 

 

''External and internal spaces began to blend, allowing the mind to sink into the place where dreams, memories, and fragments of our previous selves were waiting to be unearthed and brought into the light.''

NICKI DAVIS

TING LUO

     

 

              Hypothesis

''Each piece projects an ongoing present, expressing moments with particular shapes and  phenomenons.''

I. Purified 

II. Breath 

III. Shudder

LORAINE WIBLE

BRETT AUSTIN EASTMAN

    

     

      How Deep is the Valley 

"How Deep is the Valley is a work for piano and electronics in which the performer interacts with a Max MSP patch to process the amplified piano. The piece is a brief meditation on insignificance and displacement, as if from the view of a nomad with no place to rest. "

JOSHUA CURRY

VALERIO SANNICANDRO

 

 

           LE NUOVE FORME 

''LE NUOVE FORME is a long, continuous, but not linear process in which the composer explored  the potential of an object-oriented composition method, musically speaking a dialogue between evolution and motionlessness.''

''In her work she is interested in exploring a momentary nature of time and space, and the conflicting forces that shape land and humans.''

WIOLETA KAMINSKA

EUNMI KO, pianist

 

 

 

 

 

Pianist Eunmi Ko performed Angular by Ting Luo, saturation temp! by Emily Koh, In the Fog from In the Deep Heart’s Core by Vera Ivanov, I am going mad(libs) by Anthony R. Green at the benefit concert.